This paper explores the role of recent projects to document the everyday lives of the White Building’s inhabitants as both a means of resistance and to enable critical reflexivity among participants. By utilising a Lefebvrian analysis the authors argue, first, that the dominant discursive acts of the more powerful can be challenged through the expression of the ‘lived’ and the elevation of everyday life. And, second, they argue that the very perception of the space and the sense of place is (re)produced through these interactions across these new and diverse mediascapes.
